From the preface of “Fascism: Modern and Postmodern” by Gene Edward Veith, Jr.:
The popular culture is the most fertile breeding ground for fascism. In the 1930s, avant-garde artists shocked the bourgeoisie with their aesthetic theories that glorified violence and the release of primitive emotions. Today, if you would like examples of early fascist aesthetics, simply go to the latest Hollywood blockbuster, turn on MTV, or go to a Heavy Metal concert. Here you will see realized the fascists’ artistic ideals: pleasure from violence; the thrill of moral rebellion; the cult of the Aryan body. The grisly blood-letting of a slasher movie; the body-builder who takes the law into his own hands by machine-gunning his enemies; the masses of teenagers slam-dancing as Metallica sings, “Scream, as I’m killing you!” – such art is the quintessence of the fascist aesthetic.
Contemporary mass poilitics is very different from the democratic ideals of Madison and Jefferson. Instead of rational analysis of issues and reasoned debate, our political discourse turns on image manipulation through the mass media. The electronic media has created a genuine mass culture. Visual images take the place of language; emotionalism takes the place of logic. Politics is trivialized; citizens are manipulated, but they are molded into a common will. This was Goebbel’s dream.
Moral issues are today almost impossible to discuss in objective terms. Euthanasia is back. People clamor for their right to die. One out of four pregnancies ends in abortion, amounting to millions and millions. In discussing such issues, it becomes evident that perhaps the majority of people today have no concept of an objective morality that transcends the individual and the culture. Morality is reduced to social utility or the assertion of the will. This was precisely the Nazi ethic.